Last week, singer-songwriter Claud Mintz debuted their remarkably catchy, emotionally potent new record, Super Monster. The release holds the now very covetable status as the first entry on fellow songwriter Phoebe Bridgers’s nascent record label, The Saddest Factory (Get it? Satisfactory?).
The premiere status is bound to bring 21-year-old Claud some much-warranted attention, given Bridgers’s recent detonation into the mainstream following the success of her doom-filled 2020, Grammy nominated record, Punisher, and a much talked about appearance on Saturday Night Live (read the OMG.BLOG Q&A with Phoebe here).
Claud’s 2019’s single “I Wish You Were Gay” should have been an indication of the anthemic potential of their ability to craft relentlessly infectious pop songs, written from the perspective of a young person in and out of love through a sometimes crushingly relatable Queer lens. The songs are imbued with influences ranging from grunge to ’90s R&B to, as we touched on in our conversation, the increasingly indefinable “indie rock.”
While the link to Bridgers and her new label will undoubtedly send fans in Claud’s direction, it’s clear that these songs stand on their own as one hell of a debut album from a fully-formed young artist.
We caught up with Claud to talk about the new record, their songwriting process, but mostly about like, love and stuff.
Read the full Q&A after the jump!