Full disclosure – if you think this intro is going to shy away from unabashed idolatry in the name of journalistic neutrality you’ll be wildly disappointed. At the moment, Róisín Murphy is promoting her muscular new record, Róisín Machine [available for pre-order], which is already being hailed as a modern classic – or at least it is now!
The record has been somewhat unfairly promoted as a disco record – a purist term that limits the depth and variety of influences that informs her every move. Leave it to Murphy, however to further futurize a genre that has, since its inception, been subject to evolution.
It’s improbable that Murphy could make a genre-specific record, a born rule breaker since the early days of her first band, the Sheffield-based duo, Moloko. Her formative years populating clubs in Sheffield and Manchester remain at the forefront of her inspiration. Her influences range from industrial music, to punk, techno, and most recently to massive dubbed out disco classics. It’s unsurprising that her own projects have veered into almost all of those genres without ever approaching parody or disingenuity.
As hard as she may try, Murphy seems incapable of complying to tradition. On the cusp of three decades in the music industry, the 47-year-old’s body of work defies categorization, which explains her adoring fan base’s indefatigable interest in her work.
As if her soon-to-be-released record weren’t exciting enough, the self-proclaimed Machine can’t help but share incredibly exciting news about her next project and her aspirations for after fifty.
In an attempt to contain her multitudes to one article, we chatted with the iconic disco-punk queen about her legacy, her relentless creative curiosity, reputation, and her many cultural infatuations.
Read the full Q&A after the jump!